want, the soundtrack
was born around like a little dream of 300 €. this is what the TOOMPEAfilm could afford.
the fact that she started a production company made me laugh as much as to realize that I was doing something that should be taken seriously. by me first.
I always hated those too sure of himself, have always seemed to me of the moron. those who tell you "I know how the world and now I'll explain." But let me pleasure, ridiculous!
the fact that they not want me to take seriously, and therefore what I was doing, mainly due to my fear. be the fear of ridicule.
then one day, because it is always wise to follow their dreams, slipping to Geoff Farina, Karate singer, asking permission to use the final arpeggio that jewel of a song that "This day next year". I write knowing that I would have SODDING and still put in the short.
I did this because I took seriously.
because I took my job seriously.
be because I want to make my film work.
and then here's what Geoff writes me today:
"Hi Francis,
Can you send me some footage shows That What You Want to use the song for?
66 Columbia Street Wakefield RI 02879 You Could
or post it on the web.
Thanks! Geoff
"
Thursday, March 23, 2006
Wednesday, March 22, 2006
Map A Route With Multiple Stops
tompea @ 2006-03-22T12: 08:00
Geoff ... thanks to you the other week I went to the cinema, Lux, to be exact, to see CRASH. I liked it very much. At some point in the film I realized that I was getting rest on the backs of the images, thus allowing them to swing as they pleased. I'm excited, I ran even a hint of applause when a character has saved.
the film moves along the lines of traffic in its setting and the narrative.
seems to me a note about, right?
Matt Dillon was at its height.
the morning I saw another movie, this time on DVD in room Me, again with Matt Dillon's 20 years younger: Rumble Fish, RUMBLE FISH for those who want to know the original title, which is also the very meaning of the film. a film of an Edenic beauty. Mickey Rourke was as beautiful as poetry in the role of Motocycle Boy, so romantic fragile. maybe, maybe, the best film of Coppola. at least among those to die "European"-now that I think even the conversation, fuck, if the fight for first place, oh well. "
I recommend you see these films, it would benefit your soul.
Geoff ... thanks to you the other week I went to the cinema, Lux, to be exact, to see CRASH. I liked it very much. At some point in the film I realized that I was getting rest on the backs of the images, thus allowing them to swing as they pleased. I'm excited, I ran even a hint of applause when a character has saved.
the film moves along the lines of traffic in its setting and the narrative.
seems to me a note about, right?
Matt Dillon was at its height.
the morning I saw another movie, this time on DVD in room Me, again with Matt Dillon's 20 years younger: Rumble Fish, RUMBLE FISH for those who want to know the original title, which is also the very meaning of the film. a film of an Edenic beauty. Mickey Rourke was as beautiful as poetry in the role of Motocycle Boy, so romantic fragile. maybe, maybe, the best film of Coppola. at least among those to die "European"-now that I think even the conversation, fuck, if the fight for first place, oh well. "
I recommend you see these films, it would benefit your soul.
Monday, March 13, 2006
Cruisie Places In Texas
WANT - WANT
shooting ended at 2am today, the station's new salary. she has scrutinized many beautiful moments of my life. when I wanted to be alone with my thoughts often went to Sagittaria Who attended the Majorana-know-what I'm talking and looked at those tracks that seemed to always be there. before man. When I lived my love was always there, hidden behind the sheets in the parking antistanete station. Yesterday I set foot in those parts, and another piece was made. where I will see him. maybe together.
my fear was not knowing how to handle the pressure of being the only point of reference for those working for me. but yes, in spite of the great Hitch, I found it at my leisure. I want to mark the difference, obviously, between the ease in directing people with the aim of creating something beautiful and create something beautiful, perhaps being too uncomfortable.
the answer I'll give a short, when everything is installed and the sound will be added.
that day the black screen with white dye and say
The TOOMPEAfilm has
shooting ended at 2am today, the station's new salary. she has scrutinized many beautiful moments of my life. when I wanted to be alone with my thoughts often went to Sagittaria Who attended the Majorana-know-what I'm talking and looked at those tracks that seemed to always be there. before man. When I lived my love was always there, hidden behind the sheets in the parking antistanete station. Yesterday I set foot in those parts, and another piece was made. where I will see him. maybe together.
my fear was not knowing how to handle the pressure of being the only point of reference for those working for me. but yes, in spite of the great Hitch, I found it at my leisure. I want to mark the difference, obviously, between the ease in directing people with the aim of creating something beautiful and create something beautiful, perhaps being too uncomfortable.
the answer I'll give a short, when everything is installed and the sound will be added.
that day the black screen with white dye and say
The TOOMPEAfilm has
Saturday, March 11, 2006
Best Tires For 2003 Avalanche
Day II and III - The day
I WANT a feeling that pervades my body. I can speak with more knowledge in three days. when the days work will be completed. when the last of the many Ciack will be called, inexorable as the blade of the guillotine on the neck of the condemned.
It 's really a picere go home exhausted, with a terrible headache and a hole in the stomach.
know I did something special, beautiful and deep. Matthew told me that in his short does not take himself. legitimate. I know well than there is of me-us-in these two minutes of film. such is the responsibility I have in my respect by immobilization. at the same time it is this irrepressible force that struggles to get under the skin of my legs and weight make them make progress. is extremely fortunate to have next to people who are happily willing to give you a hand, and no matter whether they have eaten lunch or not. times of the Kinder-Brioso can be saving thanks brothers. "
Another day has gone, say Guccini, and two more are waiting for me impatiently.
impatient, I, like a lover waiting for his beloved in the door.
is an emotion.
I WANT a feeling that pervades my body. I can speak with more knowledge in three days. when the days work will be completed. when the last of the many Ciack will be called, inexorable as the blade of the guillotine on the neck of the condemned.
It 's really a picere go home exhausted, with a terrible headache and a hole in the stomach.
know I did something special, beautiful and deep. Matthew told me that in his short does not take himself. legitimate. I know well than there is of me-us-in these two minutes of film. such is the responsibility I have in my respect by immobilization. at the same time it is this irrepressible force that struggles to get under the skin of my legs and weight make them make progress. is extremely fortunate to have next to people who are happily willing to give you a hand, and no matter whether they have eaten lunch or not. times of the Kinder-Brioso can be saving thanks brothers. "
Another day has gone, say Guccini, and two more are waiting for me impatiently.
impatient, I, like a lover waiting for his beloved in the door.
is an emotion.
Friday, March 3, 2006
Pines And Female Doctor
tompea @ 2006-03-03T13: 26:00
a great parenthesis should be the beginning of this sentence. this parenthesis starts Monday. in the afternoon to be precise. I was talking with the problem Stanjslavski Chekhov had in the staging of his masterpiece "The Cherry Orchard." I was taken from the conversation when my phone rang. "ID Unknown", she said. I knew who he was. who else but the woman of my life? at that time began to open up the brackets next to our lives. mine and his. We were in Venice in the mid-700, find Casanova. he showed us all his conquests. the ease with which made us laugh was equal to the pressure I had in watching her, she laid beside me. between Monday and today I can not remember what happened. something happened? swings stagger nell'inceretzza that none of this makes sense. in fear that love is to suffer are the children of the same mother. yet the love I thought
a great parenthesis should be the beginning of this sentence. this parenthesis starts Monday. in the afternoon to be precise. I was talking with the problem Stanjslavski Chekhov had in the staging of his masterpiece "The Cherry Orchard." I was taken from the conversation when my phone rang. "ID Unknown", she said. I knew who he was. who else but the woman of my life? at that time began to open up the brackets next to our lives. mine and his. We were in Venice in the mid-700, find Casanova. he showed us all his conquests. the ease with which made us laugh was equal to the pressure I had in watching her, she laid beside me. between Monday and today I can not remember what happened. something happened? swings stagger nell'inceretzza that none of this makes sense. in fear that love is to suffer are the children of the same mother. yet the love I thought
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